Population Growth Essay Example for Free

Population Growth Essay According to the 2007 World Population record, there are around 6,606,970,166 people who live on earth (US Census Bureau, 2008). Majority of these people come from developing countries including China and India – the first and second most populated countries in the world, respectively. From among the top ten countries in the world which was comprised of up to 3. 8 billion people, around 3. 4 billion people of them was recorded to come from developing countries (US Census Bureau, 2008). Because of these figures and taking into consideration the economic, political and social status of developing countries, analysts are wondering why fertility rates continue to increase in developing countries compared to that of their counter part developed countries. The reason behind this involves various aspects of the developing countries society. Total fertility rate or birth rate basically means â€Å"the number of children an average woman have assuming that she lives her full reproductive lifetime† (Centre for Cancer Education, 2007). As stated earlier, it has been observed that the fertility rate in developing countries remains to be higher than those from the developed countries because of some familial circumstances. One of the reasons behind the fact that most parents from developing countries will have many children is that they expect that some of their children will inevitably die because of the high mortality rate and they wanted to be assured of having a child left to care for. Moreover, since many developing countries are labor-intensive and needs a large work force, having a big family will enable their business to run faster and be more efficient. Another observable reason behind the high fertility rate is attributed to the cultural traditions of many developing countries. Since most developing countries are strongly tied with their cultural heritages, their traditional practices are still observed today even in relation to childbirth and rearing. Ultra-Orthodox Jewish women, for example, was accounted to have a large fertility rate because of their cultural tradition that having twelve children symbolizes the twelve tribes of Judah and that their family will be more united (Rozenbaum Shlam, 2005). In addition to that, many parents assume that having many children will assure people to look after them in their old age and when they are sick. But more importantly, it is perceivable that fertility rate continues to increase because many families lack family planning facilities and programs to educate them (McNeill). On the other hand, developed countries are observed to have a lower fertility rate because the standard of living in these countries are higher and having a larger family would be very expensive. Also, as compared to many women in developing countries who are assumed to stay at home like the women in Israel, more women in developed countries tend to focus on their careers. Moreover, because of increasing sexual equality movements, many women are also observed to have greater control over their fertility. Furthermore, looking back at the premise that families in developing countries lack education on family planning, in developed countries, these facilities and programs are easily accesible and available to them including contraception or strategies to control birth like pills, cervical cap, etc McNeill). According to the World Bank, a â€Å"natural population increase† emerges when birth rate is observably higher than death rate (World Bank). However, with the changing envrionmental conditions, the mortality rate in developing countries is inevitably increasing. Some reasons include: poor housing conditions, unreliable water, poor access to medical services, some endemic diseases, and other health-related problems (McNeill). On the contrary, developed countries have lower death rates because they have better housing programs, accesible medical services, and nutritious food. In all these, it is perceived that when the developing countries are juxtaposed with developed countries, a big discrepancy is observed both in the figures and in its deeper sense. Moreover, it has also been noted how mortality rate is interdependent with the fertility rate to assume a natural population growth process. Furthermore, being aware of the hindrances to the proper population increase, it is therefore an imperative to create better programs and establish facilities to be able to enhance those which are already favorable to the growth system and transform those which challenges it.

Feminism In The Crime Film Genre Essay -- Women Females Movies Film Es

Feminism In The Crime Film Genre Throughout motion picture history, women have experienced more transition in their roles, as a result of changing societal norms, than any other class. At first, both society and the movie industry preached that women should be dependent on men and remain in the home, in order to guarantee stability in the community and the family. As time passed and attitudes changed, women were beginning to be depicted as strong willed, independent minded characters, who were eager to break away from convention. The genre of the crime film represents such a change in the roles handed to women. Two films that can be contrasted, in order to support this view, are: The Public Enemy by William Wellman (1931) and Bonnie &Clyde by Arthur Penn (1967).In The Public Enemy, women are portrayed as naive and/or objects of carnal pleasure by men. In this period, women were often categorized as mothers, mistresses, sisters, or ladies. Ma Powers (played by Beryl Mercer), the lead character Tom Powers’(played by James Cagney) mother, is easily fooled by Tom’s fake stories about where he get his money and doesn’t believe that her "baby boy" could be a vile gangster. At one point during prohibition, when Tom brings home a barrel of beer, she doesn’t even question where he obtained it, but rather takes a drink for herself. Ma Powers is the prototypical mother of the 1930’s. She is blind to the ways of the world and doesn’t see the danger of things, even in regard to her own children. She is a widow who does not work, but is supported by her sons. She is even blind to the fact that her sons hate one another. Even though, her Tom was sadistic killer and gangster, she always welcomes him back lovingly with open arms. At the end of the movie, she gets a phone call saying that Tom will be coming home from the hospital, where he had been treated for a gunshot. She rushes upstairs to make his bed and get his room ready, when the doorbell rings and the rival gang drops of Tom’s gun riddled body. The other women who appear in the movie are portrayed as fast women who are sexual object to be enjoyed by Tom, until he gets tired of them and then throws them away. In one famous movie seen, Tom doesn’t appreciate what his mistress moll Kitty (played by Mae Clarke) said to him, so he wickedly squeezes half of a grapefruit into her face. She is left there belit... ...onnie & Clyde first premiered on the big screen. The female roles in The Public Enemy were stereotypical of the roles handed to women in the 1930’s and also conveyed the zeitgeist of society. During the 1960’s, as indicated by Bonnie & Clyde, there was the emergence of the women’s role as a central character of the plot, one who was just as capable and omnipotent as the male lead character. She was a character that would not be controlled by society’s norms or be held captive to male authority. It is safe to say that Bonnie & Clyde, helped redefined the role for women in crime and action films. Many recent films, such as Basic Instinct (Paul Verhoeven 1992), Natural Born Killers (Oliver Stone 1993), and The Long Kiss Goodnight (Renny Harlin 1996), have emulated the strong, seductive leading role that Bonnie & Clyde helped define. It also helped further that idea that women can hold their own in the crime film genre, both in the box office and by public opinion, and through its innovation may have support ed the production of such preceding all-women crime films such as Thelma & Louise (Ridley Scott 1991), Set It Off (F. Gary Gray 1996) and Bound (The Wachowski Brothers 1996).

Brief Encounters

â€Å"Brief Encounters† is actually an adaptation of Noel Coward’s 1936 one-act play, â€Å"Still Life. † It came out as a film in 1945. Set in the backdrop of World War II in 1945, the story tells of how Laura Jesson, a housewife and Alec Harvey, a married doctor, get to slowly build a forbidden romance. They met at a certain cafe in a railway station and set a rendezvous at the same place on several occasions. With that, a certain friendship based on companionship which eventually grew into love was formed. They arranged to meet at occasional opportune moments hence the title, Brief Encounters.The two kept on with the relationship, stealing brief moments to see each other. Then after, when Alec needed to leave the country for a job in South Africa, they said goodbye to each other and finally put an end to their especially-colored friendship. Alec and Laura met on the same cafe at the train station. (Chadderton 1) Plot When Laura needed to go to Milford town, sh e usually goes for shopping and sees a film at the cinema. It was when she got a grit in her eye on the way home when she met Alec Harvey, a general practitioner who goes to the hospital as a consultant.Both of them are married and have two children. The two arrange another set of rendezvous and suddenly found that their friendship develops into love. This somehow affected Laura’s relationship with her husband Fred. Secretly, they meet, wary of possible chance encounters with common acquaintances, probably with a certain longing to spend more time with each other in private. There was this one time, after a certain number of meetings that they went to Alec’s friend, Valentine Dyall’ apartment.It is upon chance also that this friend of the doctor’s suddenly arrives that our heroine needed to leave the scene through the fire exit. It seemed though that all situations surrounding the lovers did not permit them to achieve the happiness that they wanted to hav e together. Destiny wanted to tell them that they have to face the reality that they are tied to responsibilities in their respective families that the two decided to stop seeing each other. The last meeting that they had was when Alec heads to Johannesburg, South Africa. Laura went to see him off at the same train station in Milford where they first met.At the opportune time that they were seeing each other for the last time, a certain friend of Laura’s named Dolly Messiter appears and gets to sit with them, uninvited. Until the end, the relationship seemed to have stood among rocks and even the last meeting has been only a brief encounter. Meanwhile, in contrast to their love affair, the leads were surrounded by other younger couples who were freer to love, were victorious in their relationship and were able to have the opportunity to experience passion. Myrtle, the station manager and Albert, the guard, started an affair that was more open and passionate.The waitress, Bery l relished the gift of young and first love with cake-seller Stanley. Beryl’s dance scenes has far dimmed out and at the same time placed a brighter spotlight to an unconsummated love affair between Laura and Alec. The story, which is all about having secret love affairs, is quite a common occurrence already during the time when the play was originally released. It might not seem to be a new concept that everyone would die to see but due to the vividness of the emotions of the characters, especially the woman, it appealed to a great number of audiences.Its being told in the woman’s point of view really makes it much of a demonstration of repressed emotions and repressed sexuality, capturing real life human passion from every commoner’s life happenings. The original play has been adapted by various theaters in the United Kingdom such as the Oxford Stage and The Liverpool Playhouse among others. The latest and most talked about adaptation is that of the Kneehigh T heatre, a London-based international theater group, directed by their artistic director, Emma Rice, getting all praises from reviews and critics.Kneehigh Theatre started out small with a teacher giving workshops in Cornwall in 1980, after which they started giving out shows for the common people of Cornwall and up until now, they remained in that place by choice. It is where they believe that they can produce the most possible fruits of creativity. â€Å"†¦we always try to start the creative process at these barns, to be inspired by our environment and where we work. † (Sheperd 2) The theatre is 28 years old now and has gathered quite a number of patron, or more so, devotee audiences.Their creative work usually rested upon the spirit of the eccentricity, sometimes also urbanely surreal and crazy. I’ve known of usual scenes in the city with upbeat and loud music used to be their signature style with added hoisting-in-the-air fantasies that ought to be their normal. For this recent adaptation of Noel Coward’s Brief encounters, there was quite a noted shift in this style – not actually a shift but a different attack. The characters stayed more on the ground and were more real and conventional. We saw characters full of emotions and humanity.This then proves the Kneehigh to be much more flexible and lived up to what they have been for the past 28 years. Upon the entrance to the Haymarket Theater, a foreboding message that this is â€Å"the 1940’s† plays as the blue curtains covers the stage. There was something about the lighting and music that reflect the 1940’s and has given the audience a feel of watching and being in a real 1940’s film. More treat comes way as actors themselves in 1940s costume usher in the audience. The idea of love in a repressed society in that specific time finds a good haven in this setting. The use of this technique has established the setting very well.It did not just show, bu t it would transport any onlooker to the time when the play was set. It was like watching the original film, although with more visual treats, and more elaborateness. It’s surprising though that the play has incorporated cinema in it. Some scenes were live on stage, some were onscreen and at most, they were a combination of both. This combination of theater and cinema provided an aura of a film that is coming to life. The black and white cinematic scenes makes the conveyance of the setting and dramatic situation more effective and made the adaptation of the play more accurate.In the cinema scene, the film used was the original Brief Encounters film with Laura and Alec sitting among the audience. An enigmatic and slightly comical effect was elicited from this manipulation. In the scene where Alec was trying to ask Laura if she feels the same for him, the sudden appearance of Fred (Laura’s husband) on the screen has given this dreamy effect to the play and comes to inten sify the much repressed emotions of Laura. The scene communicates much the idea of the characters waking up from a dream and having to face their responsibilities again.The incorporation of cinema in the show also solved what previous adaptations lacked in: sincerity and real emotions. In the cinema, character’s faces are focused and that would make the audience share the feelings of the characters. In this play, the use of proper stage acting caught what was there in the cinema. The acting of the characters was really effective and the cinematic effects helped a lot. Tristan Sturrock and Naomi Frederick shared a compatibility which made them seem inseparable as Laura and Alec. Since it was the 1930s, much modesty was observed in their relationship.Maybe the scene wherein they were undressing after plummeting down the river can be considered as one of the most erotic scenes. During that time though, it was necessary that simple handshakes and cups of coffee should be enough t o express love for each other. In the said scene scene, both were catching up with their modesty but failed as they ended up kissing. The recurring water waving into the screen intensified the idea of passion in the love affair and probably another attempt at depicting repression. Even so, an emotional connection between the two characters was very much established despite the limitation of romantic contac.The play has actually lived up to the original playwright. Not a lot of characters are needed to craft the play into something that is large, grandiose and festive. The presence of other couples has set love into three categories: a freer love affair for two people among the working class, young love that transcends all classes and a forbidden, unconsummated love. The impact of the fact that most of the audience already knew how it would end all the more made the movie heart-wrenching than ever. Those brief encounters between Alec and Laura made them seem as if they were stealing their chances on temporary happiness.Most wonderful is the use of the props vis-a-vis the use of the film clips and the maximization of the stage space. In Alec’s first departure from Laura, Alec hopped into a small toy train which made an ironic spectacle. Contrast it to how they made the ending: across the front of the stage, they pulled a vast amount of screen material in which a storey-high clip of the train where our Alec rode off shot across the entire stage with Laura attempting to jump with a highly dramatic death. The contrast was quite an impact. A trampoline was utilized for Stanley’s entrance to the cafe, Beryl used a red scooter and rode around it.She threw it away in an angered fit of tantrums. On the other hand, Laura’s children were played by two puppets. Some scenes used the screen as background. The use of the small objects gives a sort of a treat to the heaviness of the feelings of the audience. The use of the big train in contrast to the smal l props will make you cringe with the climax of the story. It magnified the dramatic sad ending of the story. Never could be an adaptation be more effective. It cannot be anymore clever and brilliant. It is a celebration of cinematography, theater and the totality of the elements of the performance.The incorporation of the film clips made it more effective in the sense. If one will refer to reviews of other adaptations of this play, it would seem that the Kneehigh Theatre’s production is the best of after the film. Liverpool Playhouse’s version back to back with another of Coward’s works received the ire of the Catalyst Reviews thus saying: â€Å"The plays could easily have been turned into radio plays – visually seeing them was largely unnecessary – the sound effects, notably of steam trains passing through the station could easily have been transferred to the radio.† (Serjent 12) Another rework shown at Burton Taylor which was directed by Christchurch student Georgie Paget got equally the same criticism although at notch milder. Alison Ireland of BBC made a rundown of the setting and the characters: A table in a station refreshment room is not so prominent on stage and the staff, who provide a comic, lower-class backdrop for the lofty tragic romance, are equals and fundamentally superiors in ‘Still Life' – their robust humour, sensible decision-making, clear view of priorities and no-nonsense view of the world shows the upper class ‘love' affair for the anaemic misery it really is.(2) As for Kneehigh Theatre’s reviews, nothing could be seen but all praises. In Rice's hands Brief Encounter is a clever, gimmicky production that has its fair share of [humor]. Yet there's passion, tenderness and sensitivity in abundance; if you start to think about Johnson and Howard, it probably doesn't last long because the two main characters are exceptional individually and as a couple. (Orme 4) Kneehigh the atre is sure known for its inventiveness and ingenuity. Any piece of playwright given to them is like being put in the hands of a very powerful magician.Even the â€Å"Royal Shakespeare Company entrusted them with Shakespeare's late â€Å"problem† play Cymbeline which Kneehigh took to Stratford as part of the Complete Works Festival. † (Orme2) Coward’s work fell into good hands with Kneehigh Theatre. It became a masterpiece that we only briefly encounter. References Chadderton, David. (2009) Reviews –Brief Encounter. The British Theatre Guide. Retrieved April 17, 2009 from http://www. britishtheatreguide. info/reviews/briefenkneehighDC-rev. htm. Orme, Steve.(2007) Reviews – Brief Encounter. The British Theatre Guide. Retrieved April 17, 2009 from http://www. britishtheatreguide. info/reviews/briefenckneehigh-rev. htm. Serjent, Colin. (n. d. ) Noel Coward's ‘The Astonished Heart’ and ‘Still Life. ’ The Catalyst Reviews. Ret rieved April 17, 2009 from http://www. catalystmedia. org. uk/issues/misc/reviews/Noel_coward. htm Shepherd, Mike. (2008). Introduction to the Kneehigh Theatre. Retrieved April 17, 2009 from http://www. kneehigh. co. uk/about-us/an-introduction. php.

Essay Offshore Outsourcing - 2552 Words

INTRODUCTIONnbsp;nbsp;nbsp;nbsp;nbsp;3 THE HISTORY OF OUTSOURCINGnbsp;nbsp;nbsp;nbsp;nbsp;4 HOW IS IT POSSIBLE?nbsp;nbsp;nbsp;nbsp;nbsp;6 WHY DO WE OUTSOURCEnbsp;nbsp;nbsp;nbsp;nbsp;10 WHO ARE WE OUTSOURCINGnbsp;nbsp;nbsp;nbsp;nbsp;12 THE FUTURE OF OFFSHORE OUTSOURCINGnbsp;nbsp;nbsp;nbsp;nbsp;13 CONCLUSIONnbsp;nbsp;nbsp;nbsp;nbsp;16 BIBLIOGRAPHYnbsp;nbsp;nbsp;nbsp;nbsp;17 Introduction nbsp;nbsp;nbsp;nbsp;nbsp;Offshore outsourcing is not a new practice in the United States. Offshore outsourcing of information technologies services, however, is relatively new to our nation. It is a hot issue in political debates, with this being an election year. Job loss and job creation in the†¦show more content†¦Outsourcing was not the only way low-wage foreign workers affected the work force in the 1800s. There were also millions of immigrants added to the workforce. When that many new workers were added to the labor force, of course it was not without effect on industrial wages—they were driven down. Both outsourcing and immigration affected the economy in more ways than just the cost of labor. Products were manufactured at a lower cost and thus sold for a lower price. Lower manufacturing costs benefited the companies, and the lower prices of the goods produced benefited consumers. Outsourcing Today—Offshore Outsourcing How is it Possible? nbsp;nbsp;nbsp;nbsp;nbsp;According to Philip Kotler, â€Å"Today’s economic landscape is being shaped by two powerful forces-- technology and globalization.† Offshore outsourcing is made possible by these same two factors. This is not surprising, given the history of technological advances’ effects on the economy. Advances in communications technologies and information technologies are making it possible. 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By partnering with Solectron, OEMs can gain accessRead MoreWhich Determinants Influence Foreign Investors Offshore Outsourcing Decision In Bangladesh Case Study7944 Words   |  32 PagesFIRST CHAPTER 1.1. Research Background and Motivations In today’s competitive business world, to increase global business,consumer demands as well as expands market size offshore outsourcing has become a common movement. Due to forceful competition, diminution product life cycle, changing consumer taste, preferences and sensitivity, progressing new knowledge, innovation, learning and technology and stakeholder’s enthusiasm companies, at present, continuously need to revamp their value chain (BertrandRead MoreThe Benefits of Offshore Outsourcing Essay974 Words   |  4 PagesIf offshore outsourcing has such a negative impact on the economy, then why are businesses practicing it? Is it just because of greed? Actually, offshore outsourcing can promote economic growth in some ways. 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