Movie and the Society Essay

The merriment of watching word-paintings is considered vital in our society today. It eliminates us a acting(prenominal) escape from human beings and allows us to indulge in a existence of thrills and chills within the persona of each character in the record that we watch. We besides find ourselves contemplating on the identities of characters and somehow see a part of our liveness in theirs. Typical reaction of movie goers ar good, obtuse, exciting and O. K. Peoples judgment is based on their spiritings and how the get hold of do them smelling that way. Are they triggered with fear during the movie? Did they end up crying?Did they ascertain good at the end of the movie and exit the theater with a smile on their faces? This approach in analyzing a movie is not receivedly bad, since feelings and sensual pleasures atomic number 18 part of human-centred approach and initial reaction. An hearing melt downs to react based how they exactly feel right after theyve seen a video how they indulge in magic on magical movies, how they drop turned their seats during suspense and abhorrence call for, and how they feel the triumph of heroes and heroic figures on suspense and action hits. Movies give us a two- to three-hour experience that we often lack in our periodical lives.They in like manner give us ideas and shuffle us try to judge what kind of life atomic number 18 we going to experience if we argon in the shoes of the characters that we have watched. Movie Construction Movies argon not further judged according to our feelings and emotions but withal with ideas and assumptions. The plots and story give us a better vision and meaning of our own lives. virtually people ar not good evaluating, examining, and analyzing movies. Most people dont lambaste to figure such(prenominal) because they are after the experience of feeling diametrical emotions or they just love the actors and actresses of the strike.As a student who is in line with film studies, I think various bases should be apply in analyzing movies. With this learning, we dont provided enjoy the film that we are watching but be much keen observers on the diametrical aspects of movies that filmmakers tend to hide from us how the film is made and what value are promoted (Kolker, 1999, p. 33). We often forget that films are not only artificial verbalism where people on screen are only projections from television and made out of cameras and videos.We should bear in mind that these films are results of thousand hours of report scripts, directing, acting, shooting, editing, cutting, and splicing. Most filmmakers tries their best and makes them forget that its just a story by making sure that there is no equipments like cameras or microph wholenesss seen as a part of the filming context of use. They also work very cloggy to keep us from noticing how the film is pieced together from the footage taken in some(prenominal) different places, from many di fferent camera positions, and over a much longer period of time than we experience in watching it.Because were use to thinking that seeing is believing, that pictures dont lie, it is easy to feel as if what we are seeing is really happening. (Mast, 2008) Basic Terms in Movie compend Shots These are streams of images which are not interrupted by editing it is a continuity of sentiments and where graphics are formed by series of still frames. In order to be able to think virtually a film, we have to resist the suspension of disbelief in order to pay attention to how the film is set apart together. Start by noticing when one separatrix ends and an other(a) begins.In film studies parlance, a nacreous is any unbroken, unedited length of film. (Kolker, 1999, p. 33) In most films shots gives us variation regarding scenes and characters. We post see the emotions and predict future events base on shots provided in the film. homogeneous the extreme long shots that gives us the boi lers suit scenario where the enemies and soldiers begins a battle. Most of the time shots are cut with editing so that it go forth appear as one to the viewer but in reality it is taken with series of shots to make up one feature scene. once we have plentiful knowledge in analyzing the shots and editing in the movie we grass also understand how the film starts to manipulate us and our feelings through with(predicate) the repose of watching the entire movie. Shorter shots gives us faster pacing of the film and transitions in the events of the characters. When we get used to fast-paced films like this, films with longer shots and few cuts can seem slow and difficult to watch. But, of course, such fast-paced films also make it harder to thinkFilms that constantly use close-up shots of the characters create a high level of intensity and intimacy than do films which focus more on landscape, geography, and other aspects of context. (Mast, 2008) If a film always provides us shots of the characters it gives us the public opinion that these individuals are the most important element in the story and through the rest of the film, places and situations also gives valuable shot as it shapes the lives of the main character. Scenes and Sequences This unremarkably takes place in a single time and place with the characters of the film having a conversation at a give time. there are times that two scenes are provided in the film alternately demo the viewers different scenarios which often have or talks about the uniform topic. Sometimes a single scene may run off two lines of action, occurring in different spaces or even different times, that are related by heart of crosscutting. Scene and while can normally be used interchangeably, though the latter term can also refer to a longer segment of film that does not go after the spatial and temporal unities of a single scene. For example, a montage sequence that shows in a few shots a process that occurs over a period of time. (Film Analysis Guide 2008) Story/Plot This term refers to the overall order of the film. It is consist of settings, time frame, events and the relations between them. Story on the other hand is more extensive sine it is more frank especially if the genre is drama where the story is manipulated by the plot to learn dramatic effects. Often times we tend to interpret easy a film based on the story without giving consideration to other factors in the film. We soft conclude that this film is made merely to appal or to make us laugh or cry. Without noticing factors like the mise-en-scene.Mise-en-scene This is the overall projection of the film on an audience perspective. All things are put in the scene which includes the setting, properties, wardrobe, lights, acting,etc. Things like this often manipulates the minds of the viewers as they tend to easily judge the character based on its appearance. This is also one strategy that a film critic may use in determining the r ole of each character. For example if the character wears red and the rest of the cast wears pink we can easily say that he is the admit character and the whole story lead revolve around him. hold up also gives us interpretation regarding future events once they are used as symbolism in the film. With the use of shots and camera angles we can easily predict a future event like a shot of knife then the lead character then the villain. The mise-en-scene is arranged in a way that the viewer can picture out in all what is happening in the film itself. Genres The type of films are recognized and examine based also on its genre. This gives the film certain clean-cutions in toll of narrative or stylistic conventions, or merely by their straggly organization in influential criticism.Genres are made necessary by high volume industrial production. (Film Analysis Guide 2008) Focus This is another(prenominal) element of film wherein the degree of light rays coming from any particular p art of an object pass through the lens and re-converge at the same point on a frame of the film negative, creating sharp outlines and distinct textures that match the original object. This optical property of the cinema creates variations in reason of field through shallow focus, deep focus, and techniques such as single-foot focus. (Film Analysis Guide 2008) The sharpness of an image in a film gives the viewer an eye shot of the main subject. Through focus we can also interpret and analyze film since we are given enough exposure of the scenes and we feel the intense feeling of the characters using this technique. Rocking focus makes us feel the thrill during chase scenes between the killers and the main character. Editing later shooting the entire film, clips are gathered and series of shots are combined in a single filmstrip. Here the sequence of scenes are added with transitions and uses cuts to transplant unnecessary scenes.Hard to achieve effects which cannot be provided by means of humanistic approach is enhanced and produced by editing to give film a more enticing effect. Magics and special effects are added to make films more appealing. Hence this also helps us to interpret and analyze movies sometimes if a film is easily cut without giving further confidence game to the audience it may result negatively on the end of the audience because it was edited but with bad quality. Sound and Light Effects In cinemas, sounds in films does not necessarily need to match the scenes or it needs to be continuous.Sound can also be used to present events from earlier in the story. (Film Analysis Guide 2008). It gives viewers interpretation of what that scene is for base on the type of songs that is played during a particular scene. Lights also gives us predicaments as to what is really happening on that particular scene. Like on love scenes lights are always darker and mostly turned off in many movies. While Enhanced light which almost blinds the viewers are pro vided if there are scenes of triumphs and enjoyment. Ideology and Interpretation of FilmsAfter the given terms and interpretation of film above, We have come to understand films as artificial constructions that are pieced together by filmmakers, we can more easily begin to ask questions about the ideological agenda of a film what values it promotes. Because films are cultural products shaped by the historical context of their making they can tell us much about the values and commitments of their makers and their audiences. An ideological analysis of a film that appeals to a viewer can also tell about a great deal on ones own conscious or unconscious values.(Mast, 2008) I believe that the real criteria in evaluating an interpreting a movie is by analyzing not only its components in the technical terms of movie analysis but how it appeals to our reason and sensitivity as an individual. Our Values and Social responsibility as wedge by the type of film that weve watched. So that later on we allow for drop comments like boring and OK and use more assistive terminology like how the film reinforces you as an individual and how it challenges an assumption regarding a particular topic.Instead of dismissing films because they are slow-paced or follow unfamiliar plots or include unusual characters, it may be more inspiring and in person transformative to ask what surprised you about these films and why. For these Studies in Cinema films, in short, it will be worthwhile to move beyond the question How did I feel? to the more difficult question What do I think? (Mast, 2008) There are some films that makes viewer easily understand bodies of literature. Movies like Romeo and Juliet are arranged and scripted in a way that can be easily understood in literal and lay mans term.Unlike the words used in the literary piece it is more innovated in terms of using appropriate words and drops off words that are hard to understand by viewers.ReferenceFilm Analysis Guide (2008). Yale Film Studies Website. Retrieved January 15, 2008 from http//classes. yale. edu/film-analysis/ Kolker, Robert (1999). Film, Form and Culture. McGraw Hill College, p. 33. Mast, Gerald J. Biesecker (2008). How to Watch Movies Intelligently. Retrieved January 15, 2008 from http//www. bluffton. edu/mastg/Watchingmovies. htm